Renaissance vs. Islamic Art

Mirriam Webster defines subterfuge as the conscious affair of skill and creative imagination especially in the production of aesthetic objects. It is a broad definition, beca usage nix about inventionwork is specific. device has m both different meanings, takes m whatever different forms, and achieves humans beingsy different things. Culture, including theology, greatly governs finesse. The contrivanceistic whole caboodle of a acculturation whitethorn reflect a lifestyle, language, righteousness, or belief of verbalize destination. Some would consider the he machination of subterfuge in our modern world to be atomic number 63, specifically, Italy.This is logical, seeing as how Italy is famous for a time cessation called the renascence which was a vital turning point in the history of art in the world. The renascence dot of time immediately followed the middle ages. During the middle ages, mass had no concept of case-by-caseity, and in that respect was no ce ntre on man mixture. Instead, the focus narrowly on deity, aery beings, and the afterlife. All things that happened were considered a mystery that precisely God could netherstand or be involved in. Because of the trust on religious belief, people did non venture into opinion about science or how things really worked.The conversion was named as its decl be time period in order to signify the end of medieval intellection of the middle ages. Important aspects of the spiritual rebirth include secularism and humansism, which were concentrations on human capability and a furthering from the all-encompassing ghostly norms. Art during the reincarnation sought to apply humanistic methods to delivererianity. As people began to concentrate less on the ideal and more on what was realistic, they began to paint in a realistic fashion which included portraits, and human figures which were proportionate.Whats more is non only that they were as pick outed realistically, that that ave rage humans would be pictured in art in the first place. Although the Renaissance was secular, and concentrated on humans rather than deities, there be m some(prenominal) Italian photographs with unearthly subjects. Italy didnt live in a little talk of scientific, humanistic advancement. While the Renaissance took place, Italian culture was somewhat challenged by Moslem culture when the quilt Turks made an attempt to conquer Europe. drag rulers such(prenominal) as Mehmet and Suleiman argon, in my opinion, responsible for the spread of Moslem art and culture from Persia to Algeria. As the Ottoman empire grew, its art and culture flourished under the rule of a select few rulers. Although the art grew and flourished, it still had its roots in Moslem faith, meaning it still followed the rules of the Muslim religion. The Ottoman empires occupation of South-east Europe and domination of the Mediterranean were tools which unintentionally spread Moslem culture to Europe, Italy inc luded.When a group attempts to colonize an argona, they (though sometimes inadvertently) spread their culture to verbalise area. This is usually through through propaganda and artwork. The similarities between Islamic art and art in Renaissance Italy results from the fact that many elements of Islamic art spread to Italy during the spread of the Ottoman pudding stone into Europe. We can see many purely Islamic elements in European art in the Renaissance time period. To begin with, the Muslims are responsible for bring glass, ceramics, and pottery to Italy.The development of glass and ceramics began in the plaza East. Using these mediums, they developed techniques such as gazing, gliding, qualities of color, and glow in order to add an artistic place to e very day necessities. When the Muslims invaded Europe and held an Italian city, Italians acquire to make ceramics, and then followed the Islamic expressive style of adding set off to their glass and gold to their ceramic p ieces. The Italians were influenced by, non only the artistic medium itself, only if also the decorations on Islamic art.A cardinal characteristic of Islamic art is an inclination towards covering surfaces with patterns composed of vegetal and/or geometric elements. They valued sophisticated patterns and variety such as those found in Islamic artwork. They were intrigue by the intricate patterns, so much so that they began to imitate the designs on their own glass and ceramic artwork. They copied a genuine design pattern, which was a sort of scrolling foliage, which they gave the term arabesque. Both Islamic and Renaissance art are greatly influenced by general religion, and eve exhibit some of the uniform elements.Geometric figures in Islamic art are used to make said art spotlessly isobilateral in any way possible. eveningn the arabesque scrolling foliage is more symmetrical and perfect than actual foliage. The geometric shapes in their works, are used to create a sense o f magnificent balance and order, which is representative of Muslim ideals. Similarly, the artwork of the Italian Renaissance used realism to create balance, order, and proportion, which were primaeval ideals of the Renaissance. Aside from the designs and paintings in the artwork, what makes them similar is the way in which the artwork came to exist.The term jockstrap of the arts was astray used during the Renaissance, and described those individuals who possessed the funds essential to aid the artists in creating their art. During the Renaissance, the patrons of the arts were able to use their wealth to achieve cogencyiness and respect, by creating a work of art that proclaimed their devotion to themselves, their city, and their graven image. The most(prenominal) famous of the patrons during the Renaissance were the Medici family. During the height of the Renaissance, the Medici in power was known as Lorenzo the Magnificent.He held power in Florence by his involvement in ga ining commissions for artists such as Sandro Boticelli and da Vinci da Vinci, who were both famous artists of their time. The Muslim empires had a very similar system. Certain Ottoman rulers are known for their positive contributions to the art and culture of their empire. Their contributions were not making the actual art, but providing the resources for the professional artists to do so. Suleiman the Magnificent is known to be one of the outdo and most influential rulers of the Ottoman empire.One reason he earned this title is that art and literature flourished under his rule. His artistic nature (reflected in anything he did), paired with his access to wealth made him an important patron of the arts, helping artists express original Ottoman ideas in a Turkish format. The interest of the patrons determine what kind of artwork gets created and released to the public. Because of this, the artwork of a time period may reflect the thoughts and ideals of the upper class because they were loaded enough to commission certain works to be done.The patrons were the people responsible for the prospering and growth of art in both time periods, though they existed in slightly different forms. Although the Renaissance art was influenced by Islamic art, and both were influenced by religion and foregoing time periods, there are fundamental differences between the two. These differences lie in the way each culture chooses to portray their religion in their art. The axiomatic diversity between the two types of art, as far as paintings and tapestries are concerned, is that there are no personal beings picture in Islamic art, and the opposite is align for the art of the Italian Renaissance.The reason for this goes back to the individual foundation and central ideas of each perspective religion and, for the Renaissance, the practices influenced by the time period. Renaissance thinking was secular, but Renaissance art was not about excluding religion altogether, it was m ore about including humanism in the depiction of religious figures and events. One can see the religious elements in works such as The digest of genus Venus, painted by Sandro Botticelli in 1486. The nudity of Venus in this work is a suggestion of Eve before the Fall as well as the pure love of Paradise.Once arrived on the planet or born, the love goddess dons earthly, mortal sin, which leads her to croak the new-fangled Eve, otherwise known as Madonna. The Madonnas purity is represented by the nude Venus, and she has become a personification of the Christian church. What makes such a work specific to the humanistic aspect of the Renaissance is the ideals captured in it. Venus as the center of the painting represents a celestial being, but is painted very realistically in form, being accurately proportioned. This exclusively captures the characteristics of humanism, with its focus on realism, and roots in classical and Roman myths and culture.Muslims do not agree with the way t hat Christians portray religion through their artwork for their own reasons, so they choose not to do the very(prenominal) in their own artistic practices. Muslims saw an unalienable flaw in the Christian way and they did not want the message of their God to be alienated with the worshipping of the medium, or for anything to be mistaken for idols or idolatry. therefrom they did, and still to this day, do not allow any carnal beings in their art, because such art might allow for attention to and worshipping of Mohammed rather than attention to the explicate of their God.By these interpretations, the Quran is Midieval in the nature of its message in that physical beings have no right to be represent in artwork because the word of God is all-important. Because of this Muslim stack, Islamic art does not possess the same elements as the Christian art from the Renaissance. There are no people at all depicted in Islamic art, but thats not to say that it still is not religious. A ca lligraphic panel by one Mustafa Rakim is a perfect example. The background is red, with beautiful gold characters which are logical so that the outline appears to be that of a man with a turban who is praying.It reads God, there is no god but He, the master copy of His prophet Muhammad (peace be upon him) and the Lord of all that has been crated. The aforementioned is exemplary of how Islamic works of art could be religious, but approached in a different fashion than in the Renaissance. There could not be a physical depiction of their god, Muhammad, or a man praying, so instead chirography was used in a shape in order to further convey a message. In fact, calligraphy is the highest form of visual art, and the nly spiritually meaningful form of art because of its association with the Quran, which Muslims worship every word of. Christians worshipped deliverer Christ, who was a human being, and simply a messenger of God. For example, atop Carcovado draw in Brazil, there is a statue entitled Christ the Redeemer, which offers a panoramic view of Rio De Janeiro. The statue is not only a major tourist attraction, but more of a source of religious comforter for all who come to visit it. There are also many Christians who choose to worship at the feet of the aforementioned statue, and others like it.The Muslims think of the Christians as ill-use for doing such things as worshipping at a statue of Jesus Christ because in their religion, the prophet Mohammed shant be worshipped because of his position as the messenger of their God. The Islamic focus is on the teachings of their God alone, and not on the medium through which they received said teachings. Art with physical depictions of religious figures would also go against the teachings of the Quran, which by some interpretations suggests that Muslims should be against idolatry, meaning they should not weigh in the worshipping of a physical object or person as a god.Physical depictions in religious art have also been known to depart along with the time period, which could in turn sort the mindsets of the followers of the religion. For example, in Christianity, depictions of Jesus Christ contributed to the influence of the church and rulers who associated themselves with and promoted Christianity. During the fourth, fifth, and sixth centuries, the image of Jesus changed from a humble shepherd to a richly habilitate and commanding personaa fitting keep company for the emperors whose images were also portrayed in mosaics on the walls of churches.Because the Muslims view the word of their god as all-important, they do not want interpretations of the religion to be further influenced by the time period, as what has happened with the image of Jesus. Art, in any form, has the ability to represent everything about a culture. In my opinion, it has the most impact on how we perceive certain people, religions, and cultures. He who is in control of the art is, in essence, in control of the opinions of future generations. Essentially, comparing the art of two separate cultures is comparing everything from their language and religion to trends and important societal topics.